AS220 Youth Artists Use Music as a Lifeline for Mental Health

In a powerful songwriting exercise, young creatives turn personal pain into healing, connection, and hope through music

Share
AS220 Youth Artists Use Music as a Lifeline for Mental Health
Copy

“I been fightin’ mentally/All these voices in my head be messin’ with my energy.” Hundi, a member of AS220 Youth, opened his verse with this powerful line. “It’s like therapy, and it’s like a way of coping and connecting with other people,” he explained. “When you’re making music you can say how you’re feeling in that moment and it can resonate with people.”

On this day the class was tasked with a special assignment from their instructor and mentor, Jay Lew. “I really want you all to focus in thinking about the idea of how mental health and your music comes together.” It’s a simple, yet impactful, assignment. Jay Lew’s student Qbando was up for the challenge. “Once I heard that we had to write about mental health, it just like clicked because, as a man, we really don’t talk about our mental health for real.”

AS220 Youth member Hundi performs a verse about mental health for his peers
AS220 Youth member Hundi performs a verse about mental health for his peers.
Dewey Raposo/Rhode Island PBS

Writing about such personal topics can be intimidating. The participants at AS220 Youth have built enough of a rapport with one another, making it easier to share their feelings with their peers. “It is more than just coming here to do your art. It’s like a support system,” Hundi told us. “It’s more of a home for people who want to come express themselves. They don’t want nobody feeling like they’re nothing and left out, we’re here to expand and grow.”

As much as music can be about self-healing, Hundi explains how there is a communal aspect to it all. “Hopefully, it resonates with the listeners. I just want them to hear me out and resonate with it. Make people feel better about the feeling.” Qbando echoed his classmate’s sentiment. “Music brought me out of my box,” he said. “Music is my comfort space, literally. I usually don’t open up with anybody.”

AS220 Youth member Janirah working with youth mentor Jay Lew on a verse
AS220 Youth member Janirah working with youth mentor Jay Lew on a verse.
Dewey Raposo/ Rhode Island PBS

“Ever since I lost my Aunties I ain’t never been the same/And it’s always long live JB, that one hit me like a train/And I pray for better days.” Qbando’s verse revealed his experience with pain and loss, but his message in the end was one of hope: “I know God can heal my pain/Had to take that to the grain/I’m out the way to make a change/So I stay in my own lane to show my Mama better days.” Understanding the importance of opening up, Qbando explained the inspiration for his verse to us. “I really gotta show them the grit and grind behind my music. And show people that if you’re not feeling good, another person could feel just like you.”

This story is part of our Finding Hope Project. Finding Hope is generously sponsored by Blue Cross & Blue Shield of Rhode Island. Blue Cross & Blue Shield of Rhode Island is an independent licensee of the Blue Cross & Blue Shield Association.

Massachusetts lawmakers are considering new legislation filed in response to an investigative series by The Public’s Radio that chronicled the lives of child laborers in New Bedford, the nation’s highest-grossing fishing port
On July 5, thousands of Cape Verdeans in Massachusetts and Rhode Island will celebrate the 50th anniversary of the West African country’s independence. Morning host Luis Hernandez spoke with two people from the region who will be honored at a national celebration in Washington, D.C.
This is the eighth year Ocean State Media has awarded a college scholarship worth up to $60,000 over four years
Once thought lost to history, the powerful handwritten declaration by New England Baptist clergy resurfaces—shedding new light on religious resistance to slavery and a pivotal moment in the church’s past
Imagine if you could be the greatest in the world at anything, but you’d have to sell your soul to do it. That’s the story of the show “¡Que Diablos! Fausto,” a bilingual production at Teatro en El Verano