| Programs 101.
First Sight: An Introduction to Literature - This overview introduces the
course content and approach. 102. Ways of Seeing:
Responding to Literature - A focus on critical approaches to literature is presented
by the scholars who will appear throughout the series. This program also previews
selected dramatic scenes from upcoming programs and excerpts from the author interviews
that highlight the series. 103. A Personal View:
The Art of the Essay A documentary segment traces the development of the
formal essay and the birth of printing technology and their impact on the growth
of political democracy. An interview with essayist Willie Morris focuses on the
informal essay. 104. Reflected Worlds: The Elements
of Short Fiction - A dramatization of Frank O'Connor's "First Confession"
and an interview with Ernest Gaines demonstrate the elements of fiction. 105.
The Story's Blueprint: Plot and Structure in Short Fiction - A dramatization
of Stephen Crane's "The Blue Hotel" exemplifies the relationship of
plot, structure, and conflict. 106. Telling Their
Tales: Character in Short Fiction - Techniques of characterization and
the importance of point of view become clear in a dramatization of Tillie Olsen’s
“I Stand Here Iro 107.
In That Time and Place: Setting and Character in Short Fiction - Setting reveals
character in Susan Glaspell's "A Jury of Her Peers" while it magnifies
meaning for contemporary short story writer Stephen Dixon. Both authors appear
in the program. 108. The Author's Voice:
Tone and Style in Short Fiction - An interview with Maxine Hong Kingston highlights
this examination of the impact of style on meaning. 109.
Suggested Meanings: Symbolism and Allegory in Short Fiction - Symbolism is
prominent in a dramatization of D. H. Lawrence's "The Horse Dealer's Daughter,"
while myth predominates in the work of Native American writer N. Scott Momaday,
who is interviewed. 110. The Sum of Its Parts:
Theme in Short Fiction - Multiple themes are uncovered in "Everyday Use,"
a dramatization of Alice Walker's short story. 111.
The Sacred Words: The Elements of Poetry - The role of poetry for the individual
and the culture is suggested through visual essays. An interview with James Dickey
includes his reading and analysis of his poems "The Performance" and
"The Lifeguard." 112. A Sense of Place:
Setting and Character in Poetry - The historical settings of "My Last Duchess,"
"Theme for English B," and "Dover Beach" convey much about
the characters and ideas of these poems. The New England landscapes of Maxine
Kumin echo the themes of her poetry. 113. Tools of
the Trade: Words and Images in Poetry - Poetry readings, visualizations of
poems, and an interview with Lucille Clifton, who reads two of her favorite poems,
"This Morning" and "Homage to My Hips," reveal the beauty
and the workings of poetic language and imagery. 114.
Seeing a new: Rhetorical Figures in Poetry - The power of metaphor, simile,
and other figures of speech becomes clear through dramatizations of Anne Bradstreet's
"The Author to Her Book," Nikki Giovanni's "Woman," and Daniel
Halpern's "Snapshot of Hue." Gary Soto is interviewed and reads and
comments on his poem "Oranges." 115. An
Echo to the Sense: Prosody and Form in Poetry - X. J. Kennedy discusses and
demonstrates the importance of rhyme and meter in his poetry. Dramatic readings
of poems by Shakespeare, Dickinson, and Hopkins and contemporary poets like Dudley
Randall and Leonard Adame are analyzed to show how prosody and form contribute
to meaning. 116. Distant Voices: Myth, Symbolism,
and Allusion in Poetry - Four poetic versions of the Icarus myth - those of Sexton,
Spender, Williams, and Field - are dramatized and compared. Marge Piercy discusses
the role of myth in her poetry. 117. Artful Resonance:
Theme in Poetry - Dramatizations of six poems that share the same subject help
clarify the difference between subject and theme. Close analysis of poems by John
Donne and Donald Hall explore the interrelationship between poetic form and meaning.
118. Playing the Part: Characters and Actors in
Drama - The development of dramatic character, by playwright and by actor, is
illustrated through several interpretations of a single scene from Hamlet and
an interview with Shakespearean actor John Vickery. 119.
Patterns of Action: Plot and Conflict in Drama - A dramatization of Oedipus
Rex demonstrates the classical plot structure. Dramatist A. R. Gurney discusses
conflict and plot in contemporary American theater. 120.
Perspectives on Illusion: Setting and Staging in Drama - An interview with
set designer Chris Barecca and a documentary overview of types of theaters demonstrate
the intertwining of text and technique in dramatic setting. 121.
The Vision Quest: Myth and Symbolism in Drama - Alaskan playwright David Hunsaker's
dramatizations of Eskimo myth and his productions of Eskimo translations of Greek
tragedies, together with scenes from Oedipus Rex, demonstrate the enduring power
and meaning of myth in drama. 122. A Frame for Meaning:
Theme in Drama - Dramatist David H. Hwang discusses the themes and structure of
his plays, which include M. Butterfly. Scholars consider thematic interpretations
inherent in the production of a single act of Hamlet. 123.
Casting Long Shadows: The Power of Literature - This summary of major course
themes reviews the impact of literature on the individual through excerpts of
series dramatizations and interviews. 124. Continuing
Vision: The Uses of Literature - This program explores the impact of literature
on the society and culture in the past and present. It then looks into the future
to see what forms literature may take and to assess its possible influence on
society. 125. Casting Long Shadows 126.
Continuing Vision |
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